In a Palestinian town, Tamer and his friends lead a typical high school student’s life until the arrival of the beautiful Maysaa’. To please her, Tamer agrees to take part in a mysterious flag operation on the eve of Israel’s Independence Day which is a mourning day for Palestinians.

In a small village in the occupied Golan Heights, the life of a desperate unlicensed doctor who is going through an existential crisis, takes another unlucky turn when he encounters a man wounded in the war in Syria. Overturning all community expectations in times of war and national crisis, he ventures forth to meet his newly found destiny.

In the summer of 1982, the Israeli army invaded Beirut. During this time, it raided the Palestinian Research Center and looted its entire archive. The archive contained historical documents of Palestine, including a collection of still and moving images. Taking this as a premise, ‘A Fidai Film’ aims to create a counter-narrative to this loss, presenting a form of cinematic sabotage that seeks to reclaim and restore the looted memories of Palestinian history. It’s a poignant exploration of identity, memory, and resistance, told through a unique blend of documentary and experimental filmmaking techniques.

After finding out that their father left a huge sum of money behind after his death, Mariam and Noura come up with an elaborate scheme to abscond with the money before their brother — who is legally entitled to half the inheritance — finds out about their father’s death.

The news is full of images of overcrowded boats and vast tent camps. But how much do we really know about what refugees are going through? Notes on Displacement takes a deep dive by following a single family on a grueling journey, destination Germany. Their fear, disorientation, and solidarity is palpable.

“Put your soul on your hand and walk is my response, as a filmmaker, to the ongoing massacre of Palestinians. A miracle happened when I met Fatem Hassona. She became my eyes in Gaza, where she resisted while documenting the war, and I became a link between her and the world, from her “Gaza prison”, as she named it. We maintained this line of life for almost a year. The bits of sound and pixel that we exchanged became the film that you see. The killing of Fatem on April 16th, 2025, due to an Israeli raid on her house, changes its meaning forever.”

Wisam, a young Palestinian from Dheisheh refugee camp in Bethlehem, longs to escape his guilt and isolation after his brother’s death. He spends his days in a state of numbness. When he finds his brother’s last tooth, he remembers a promise to toss it into the sea, a place he is not allowed to go. He decides to honor his brother’s wish, even if it means risking his life.

“Vibrations from Gaza” offers a glimpse into the experiences of Deaf children in the colonized and confined coastal territory of Gaza, Palestine. Born and raised under Israeli siege and frequent onslaughts these children, including Amani, Musa, Israa, and others, provide vivid accounts of their encounter of bombardment and the constant presence of drones in their sky. The children describe their perceptions of missiles strikes through sensing vibrations in the air, trembling of the ground, and the resonance of collapsing buildings. The film questions whether the hearing impairment of these children is a consequence of Israel's use of sonic weaponry, such as sonic booms.

Mohammed, a young Palestinian, is desperately looking for a taxi to take him through an Israeli checkpoint. The driver, Farouk, discovers that Mohammed has already failed to cross the checkpoint. Trouble begins.

Shot in Norway and Palestine, The Goodness Regime investigates the foundations of the ideology and the representation of a country adopting the most corporate gimmicks to brand itself as a peace-making nation. Deconstructing the arcanes of the Oslo Accords and unveiling the process of a national myth construction, the film looks at the political stages, the roles and the scenes through the very empirical spectrum of theatre, combining children’s performances with archive sound recordings from diplomatic speeches.